Wednesday, June 30, 2010

Dear Darwin..


Dear Darwin Deez.

Who exactly are you and where have you been all my life? I am falling fast and hard for your music, not to mention your cute lil' ringlets, mustard sweater and unko dance moves. You're like the Strokes, but happy. You're like Napoleon Dynamite, but cute. I think I'm love.

Love,
Me.



My two favourite tracks
Darwin Deez - Deep Sea Divers
Darwin Deez - Bed Space

He'll be coming out in October for Parklife. CAN'T WAIT.

In the meantime, check his links & buy that funky motherfuckers album!

Myspace
Facebook

C x

Tuesday, June 29, 2010

Coolest man on earth

Another incredible cover by Tallest Man On Earth (or The Coolest Man On Earth, as he shall now be known)... is it wrong to love him so? Here he is covering 'These Days' by Nico in the incredible Music Inn in New York. Can't wait to visit that place when I get there in December. Reuben - it's on West 4th St in Greenwich Village... get there.

Tallest man on earth - These Days (Nico Cover) - A Take Away Show from La Blogotheque on Vimeo.



C x

Monday, June 28, 2010

Bands with cool names - Vol. 1




Hungry Kids of Hungary.

Yes OK I'll admit when I first heard of the name the Hungry Kids of Hungary my initial response was..... *raised eyebrow* um.. .. seriously? But back then I was uninitiated. Now, I am not. Now, I am a fan of not only their catchy 60's brand of pop/rock but also their initially-annoying-yet-eventually-cool band name. And it says on their Myspace they are still unsigned. Well if that's the case I'm sure that won't be for long.

I am currently loving their song Wristwatch, which is getting quite a bit of airplay on Triple J at the moment. It's only 1 minute and 54 seconds long but that is 1 minute and 54 seconds of pure boppy poppy bliss.

Check out the video and some tunes below-



Also, be sure to catch them on tour in Oz in August..

Friday 6th - The Zoo, Brisbane
Saturday 7th - Coolangatta Hotel, Coolie
Friday 13th - Oxford Art Factory, Sydney
Saturday 14th - Cambridge Hotel, Newcastle
Friday 20th - East Brunswick Club, Melbourne (see ya there)
Saturday 21st - The National, Geelong

Band links:

C x

How I Got Over - The Roots go 2.0


On 22nd June The Roots released their 9th studio album (the first release since they signed on for a full time position on Late Night with Jimmy Fallon) titled 'How I Got Over', and it's safe to say that they have delivered once again. Anchored, as always, by the rich, funky, and always on point drumming of ?uestlove and the effortless, passionate, and mesmerizing vocals from Black Thought this album really shines as a true hip hop album in contrast to some of the recent more commercial, highly-produced hip hop offerings that have been released lately (namely B.o.B, Drake and Chiddy Bang).


True to form The Roots once again call upon a smorgasbord of artists to feature on a majority of the tracks, with more hits than misses. Special guests include regular Roots Crew members Dice Raw, P.O.R.N, STS, and Truck North, as well as other Hip Hop artists Peedi Peedi (formerly Peedi Crack), Blu, Phonte, and close compatriot and resident piano man John Legend. However, where this album really takes off is when you witness some more unusual pairings between The Roots and folk supergroup 'Monsters of Folk' (see link below) and the pixie-like vocals of the whimsical singer/songwriter/harp playing Joanna Newsom on the track "Right On".


The Roots have a knack for giving established tracks from other artists the 'version 2.0' makeover as they did with Cody Chestnutt and "The Seed" resulting in a 2002 mega-hit for both artists. And here they go again, putting their hip hop touches to the 'Monsters Of Folk' 2010 single "Dear God". You can check out both versions below and maybe let us know what you think. Personally I think it's a great version, and improvement on the original.

Monsters of Folk - Dear God



The Roots - Dear God 2.0



Also check out this other solid track featuring John Legend, and if you like that you're gonna love the rest of the album.

The Roots feat. John Legend - The Fire




R. Hunter

Friday, June 25, 2010

You will never come close to how I feel

TAME IMPALA GOT ME GETTIN ALL PSYCHEDELIC

Check them out playing 'Solitude is Bliss' from some field in California, May 2010


I am absolutely digging their debut Innerspeaker. Kind of makes me feel like I'm falling into this thing....


Yeah these Perth kids are groovy. Get out your daisychain and go nuts to these highlights :


Ps. The 'Impala' part of their name refers to a medium sized antelope. True.

C x

Thursday, June 24, 2010

'Last night a JD saved my life'


I never thought I'd be saying this but... thank you Jamie Durie! I know that may sound weird to hear on a music blog but let me explain.

It was Tuesday the 15th June, I had just finished work and went to meet up with my friend Olivia who had just arrived from Melbourne. I'm not sure how but at the last minute I had heard that The Roots were playing one of their jam sessions at the Chelsea Highline Ballroom that night and of course I was interested. They weren't due to start till after 12am so Olivia and I headed to a bar for a few drinks before catching a cab to Chelsea. To be perfectly honest I had completely underestimated the popularity of ?uestlove and his band of musicians and had neglected to pre-purchase tickets. It turned out to be a potentially night-ending mistake as the footpath out front of the Highline Ballroom resembled a street party due to the hundreds of people already lined up to see the gig. It was a sober feeling knowing that I had missed my opportunity to see The Roots on their home turf as Olivia and I turned to hail a taxi, trying to think of a plan B destination... enter Jamie Durie.

Before I left for New York I was prepared to see some celebrities; Robert DeNiro, Leo DiCaprio, Jessica Alba, all of the big A-listers. But I would have never expected to celebrity-site the diminuitive, male-stripper-come-landscape-gardener, Australian B-lister that is Jamie Durie. As he walked past the two of us we politely introduced ourselves and told him how much we 'loved' his show. Apparently he was in New York filming episodes for his new show and is currently living in California (in a house that Olivia exclaimed 'must have a really nice garden'). Jamie had a woman in tow so he eventually excused himself and proceeded to stroll right up to the front of the VIP line. This slightly confused me as I was pretty sure the last time JD was a VIP was when he was picking up his 4th Logie for Backyard Blitz (wasn't a gold one though), but what was even more confusing was when Jamie's female friend started motioning for us to join them in the VIP line...

Long story short: Jamie's female companion turned out to be the manager for a hip hop group from Sierra Leone (I can't remember their name) that was performing a few tracks with The Roots and to our surprise secured us some VIP passes. You would have been hard pressed to wipe the smile off my face, which only got bigger when Black Thought paired with the legendary DJ Cash Money to warm up the crowd. When ?uestlove took the stage and rattled off a drum and keyboard duet rendition of Nirvana's "Smells Like Teen Spirit" I knew it was going to be a special night. When The Roots host a jam session they really go all out with special guests with a line-up that included Joss Stone, Bilal, Freeway, and the aforementioned group from Sierra Leone, among others.

As I watched from the comfort of the VIP 'lounge', with my new friend Jamie D occasionally tucked under my arm, I realised a few things:

  • Black Thought has cemented his place in my 'top 5 hip hop artist' list.
  • ?uestlove is one of the coolest people I have ever seen.
  • I love writing ?uestlove using a question mark.
  • Joss Stone is very attractive in person, especially when you lock eyes with her and she smiles at you.
  • Jamie Durie is always willing to help out a fellow Australian in need.
  • It's definitely not what you know...
  • The Roots sure know how to throw a jam session.
So while I reflect on a rather surreal and crazy 'New York experience' please feel free to rock out to this classic track from 1982 (just make sure that you swap the letters D & J in your head in respect to the great Jamie Durie):

Indeep - Last Night A DJ Saved My Life (mf)



R.Hunter

Tuesday, June 22, 2010

Kings of Convenience, Live at Webster Hall


Touch down in New York City and your senses are immediately assaulted. After two weeks of walking around Manhattan with my head on a swivel attempting to take it all in I needed some musical respite. On the 10th of June the Webster Hall, sandwiched between the Greenwich and East Villages of Manhattan, was my destination, and two mild-mannered musicians from Norway were the main attraction.


After a warm reception Erlend and Eirik, decked out in clothes that would make even the most hardcore of hipsters weak at the knees, each armed with just a guitar and microphone rapidly went about placing each audience member under a spell with their vocal and instrumental harmonies. I was curious as to how the Kings of Convenience's (KOC) mellow, soothing and sometimes minimal sound would translate to a large crowd in a large venue but was not let down at all. It was almost as if you were to close your eyes you could be transported to your living room with KOC relaxing on your sofa, casually strumming out the tunes. The opener "My Ship Isn't Pretty", off their latest album, was a delicate introduction to how the KOC operate. Alone, Erlend and Eirik can definitely hold their own, but when they mould their talents together you get a sound that can be described using an endless list of adjectives: whispy, dreamy, funky, melodic, hypnotic etc. etc. They effortlessly roll into their more popular track "I Don't Know What I Can Save You From" off their debut album from 2001 and at its conclusion you can tell that both KOC and the crowd have now warmed up and are ready to kick it up a notch.


It's at this point that a distinctive feature of a KOC concert is unveiled: the completely disarming and dry sense of humour that is shared between the two performers. During their general audience banter they could be confused for a seasoned comedy duo as they effortlessly arouse laughter from the crowd with each anecdote and song introduction. It also becomes quite clear that they don't take themselves too seriously, when after one of their more 'upbeat' tracks Eirik joked that "that was rock, and now we will play you a slow song". They are very aware of the type of music they play (and that their audience enjoys) and have spent a lot of time perfecting the simplicity.


The set list is comprised of a measured mix of old and new songs, however I'm sure sometimes even the most hardened KOC fan would be hard pressed to rattle off all the track titles, as they largely use a similar, tried-and-true formula. But this doesn't concern you in the slightest when it's just so damn easy to bop your head and hum along. By the time tracks off their latest CD, namely "Mrs Cold", "Boat Behind", "Me In You" had been played it was clear that no fan in attendance had been left behind. The highlight comes with their flawless execution of crowd participation which involved: splitting the audience into a two part harmony, coordinating finger snaps, and dropping the lights so that everyone was standing in complete darkness creating a musical moment that was sure to create a smile and make your hairs stand on end.


What followed was another gear shift as KOC invited their opening act, 'Franklin For Short, back on the stage to play with them on a few tracks "adding another chapter into the history of Kings of Convenience" according to Eirik. It was unfamiliar, but entertaining, to hear KOC songs with such a strong backing of drums and bass guitar, and something that Erlend was clearly relishing as he took his showmanship to the next level. Before kicking into the track "I'd Rather Dance With You" Erlend encouraged the crowd to "dance like it's your wedding... let's get married!" and proceeded to elicit admiration and laughter from the crowd as he gyrated and pranced across the entirety of the stage. Eirik seemed content to step back and give his counterpart the spotlight to finish up the show as Erlend continually toyed with the crowd, and even disappeared for a minute only to reappear wearing a comedic bowtie for their encore rendition of "It's My Party And I'll Cry If I Want To", a fitting way to end a concert that was as much about laughter and enjoyment as it was about the music itself. Judging from the smiles on the faces of people leaving it seemed that at the night's conclusion both male and female audience members alike had in some way fallen in love with the Norwegian duo.


Remember in the movie 'The Castle' when Darryl Kerrigan compliments his wife on her no-frills cooking by saying: "but it's what you've done with it". You could probably say the same thing about the musical styling of the KOC: it is straight forward, no frills folk music... but it's what they've done with it.
R. Hunter

Monday, June 21, 2010

One of my favorites does one of my favorites...


Gotta love it when one of my favorite new artists covers one of my ALL TIME favorite artists' songs. Especially when it turns out as beautiful as this. Plus, I'm a sucker for a banjo. Gets me every time.

Enjoy The Tallest Man On Earth covering 'Graceland' by the wondrous Mr. Paul Simon.


And here's a little video of him performing it at Sasquatch! Music Festival this year in Washington


Gorgeous.

C x